Genreübersicht
Chamber Pop
Drawing heavily from the lush, orchestrated work of performers including Brian Wilson, Burt Bacharach, and Lee Hazlewood, Chamber Pop arose largely as a reaction to the lo-fi aesthetic dominant throughout much of the 1990s alternative music community. Inspired in part by the lounge-music revival but with a complete absence of irony or kitsch, chamber pop placed a renewed emphasis on melody and production, as artists layered their baroque, ornate songs with richly textured orchestral strings and horns, all the while virtually denying the very existence of grunge, electronica, and other concurrent musical movements.
-
Rufus Wainwright
(All Days Are Nights: Songs for Lulu)
gut (79%) -
-
Lambchop
(Oh (Ohio))
gut (82%) -
Tindersticks
(The Hungry Saw)
gut (79%) -
Stars
(In Our Bedroom, After The War)
befriedigend (67%)
Genre-typische Alben
-
Rufus Wainwright
(Release the Stars)
gut (81%) -
The Decemberists
(The Crane Wife)
gut (81%) -
Stars
(Set Yourself on Fire)
gut (80%) -
Belle And Sebastian
(The Life Pursuit By)
gut (78%) -
Isobel Campbell und Mark Lanegan
(Ballad of the Broken Seas)
befriedigend (68%) -
-
Sigur Ros
(Takk...)
gut (78%) -
The Decemberists
(Picaresque)
gut (81%) -
Stuart Staples
(Lucky Dog Recording 03-04)
befriedigend (68%) -
Belle And Sebastian
(Push Barman To Open Old Wounds)
sehr gut (87%)
mehr Chamber Pop
Indie Rock
Menomena
Mines
The Arcade Fire
The Suburbs
Janelle Monáe
The Archandroid
Broken Social Scene
Forgiveness Rock Record
Bonnie Prince Billy
The Wonder Show of the World
Songwriter
Gisbert zu Knyphausen
Hurra! Hurra! So Nicht.
Kristof Schreuf
Bourgeois With Guitar
Jochen Distelmeyer
Heavy
Element of Crime
Immer da wo du bist bin ich nie
Gisbert zu Knyphausen
Gisbert zu Knyphausen
Folk
Mumford and Sons
Sigh No More
Port O’Brien
Threadbare
The Wood Brothers
Loaded
Ani DiFranco
Not A Pretty Girl
Adam Green
Jacket Full of Danger












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