Genreübersicht
Club/Dance
Club/Dance music comes in many different forms, from disco to hip-hop. Though there have been various dance crazes throughout the history of popular music, club/dance music became its own genre in the mid-'70s, as soul mutated into disco and whole clubs were devoted to dancing. In the late '70s, dance clubs played disco, but by the end of the decade, disco was mutating into a number of different genres. All of the genres were collected under the catch-all term "dance," though there were distinct differences between dance-pop, hip-hop, house, and techno, among other subgenres. What tied them all together was their emphasis on rhythm -- in each dance subgenre, the beat remains all-important.
-
M.I.A.
(Maya)
befriedigend (73%) -
Pantha du Prince
(Black Noise)
- (80%) -
Massive Attack
(Heligoland)
- (80%) -
the Prodigy
(Invaders Must Die)
ungenügend (46%) -
Schiller
(Sehnsucht)
befriedigend (75%)
Genre-typische Alben
-
M.I.A.
(Kala)
sehr gut (86%) -
Justice
(Cross Symbol)
gut (81%) -
-
The Streets
(The Hardest Way To Make An Easy Living)
befriedigend (72%) -
Shakira
(Oral Fixation (Vol. 2))
ausreichend (62%) -
Madonna
(Confessions on a Dance Floor)
ausreichend (58%) -
Jamiroquai
(Dynamite)
ausreichend (64%) -
Shakira
(Fijacion Oral)
befriedigend (67%) -
Moloko
(Statues)
- (0%) -
Juno Reactor
(Shango)
- (0%)
mehr Club/Dance
Indie Rock
Menomena
Mines
The Arcade Fire
The Suburbs
Janelle Monáe
The Archandroid
Broken Social Scene
Forgiveness Rock Record
Bonnie Prince Billy
The Wonder Show of the World
Songwriter
Gisbert zu Knyphausen
Hurra! Hurra! So Nicht.
Kristof Schreuf
Bourgeois With Guitar
Jochen Distelmeyer
Heavy
Element of Crime
Immer da wo du bist bin ich nie
Gisbert zu Knyphausen
Gisbert zu Knyphausen
Folk
Mumford and Sons
Sigh No More
Port O’Brien
Threadbare
The Wood Brothers
Loaded
Ani DiFranco
Not A Pretty Girl
Adam Green
Jacket Full of Danger












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